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Zofia Kulik - Bibliography


Catalogues of solo exhibitions


Idiomy soc-wiecza, [Pub. Zofia Kulik], Lomianki 1990

Zofia Kulik, Gotyk miedzy-narodowy, Center of Contemporary Art Ujazdowski Castle, [October 5-25, 1990], Warsaw 1990.

Zofia Kulik, FF Gallery, Lodzki Dom Kultury, [November 20 – December 12, 1992], Lodz 1992.

Zofia Kulik, Symbolic Weapon III, "U Jezuitow" Gallery, Poznan 1994

Zofia Kulik, The Human Motif. [December 1, 1995 – January 28, 1996], Newcastle upon Tyne 1996.

Zofia Kulik, Symbolic Weapon IV, XLVII International Biennale of the Visual Arts, Venice, [June 12 - November 9, 1997]; Polish Pavilion, Warsaw 1997.

Zofia Kulik, An Iconographic Guide to “All the Missiles are One Missile”, XLVII International Biennale of the Visual Arts, Venice, Polish Pavilion, Warszawa 1997.

Zofia Kulik, Od Syberii do Cyberii, National Museum, Poznan, 1999

Zofia Kulik, Od Syberii do Cyberii, Zacheta National Gallery, Warsaw, Bunkier Sztuki, Krakow, Le Guern Gallery, Warsaw, 2004

Zofia Kulik, Archives of Gestures, Starmach Gallery, Krakow 2004; text: Bożena Czubak, Archives of Gestures

Zofia Kulik, Self-portraits and the Garden, Le Guern Gallery, Warsaw 2004

Zofia Kulik, From Siberia to Cyberia. Und Andere Arbeiten, Museum Bochum. Kunsthalle Rostock 2005


Catalogues of group exhibitions (after 1987)

Polak, Niemiec, Rosjanin, Norblin Factory, [pub. Andrzej Bonarski], [August 23 –September 8, 1989] Warsaw 1989.

Bakunin in Dresden. Polnische Kunst heute, Kunstpalast Halle Al, 15. September bis 15. Oktober 1990, Kampnagelfabrik Hamburg Halle K3, 3. November bis 9. Dezember 1990, Dusseldorf 1990, ss. 39-54.

Sorcerers and Mystics, Centre of Contemporary Art Ujazdowski Castle, [February 8 - March 3, 1991], Warsaw 1991.

Doppelte Identität Polnische Kunst zu Beginn der neunziger Jahre, Landesmuseum Wiesbaden 3.Marz - 5. Mai 1991, Wiesbaden 1991, ss. 40-45

Bakunin w Dreznie. Wspolczesna sztuka polska, Centre of Contemporary Art Ujazdowski Castle,
[April 11 - May 5,1991], Warsaw 1991, pp. 25-30, 32-34.

Srodek Europy. Festiwal awangardowych filmow i sztuki video z Austrii, Czecho-Slowacji, Wegier i Polski, Centre of Contemporary Art Ujazdowski Castle, [April 15 - 21, 1991, Warsaw 1991], pp. 58, 63, 76.

Der Raum der Worte. Polnische Avantgarde und Künstlerbücher 1919-1990, Herzog-August-Bibliothek,
[August 24 – November 30, 1991], Wolfenbüttel 1991.

New Spaces of Photography,at the II East West Photoconference „European Exchange”, society „European Exchange”, Foto-Medium-Art Gallery, [October 17-20, 1991], Wroclaw 1991, pp. 172-173, 280.

Wanderlieder, Stedelijk Museum, [December 8, 1991- February 9, 1992], Amsterdam 1991, pp. 58-61, 58-59.

Artystki polskie,The National Museum in Warsaw, Warsaw 1991, pp. 216-219.

Voices of Freedom: Polish Women Artists and the Avant-garde 1889-1990, The National Museum of Women in the Arts, Washington 1991, pp. 34, 35, 37, 41, 50.

Dark Decor, Independent Curators Inc., New York 1992, ss. 30-33, 63

Obecnosc III, BWA, Poznan 1992.

Profession ohne Tradition. 125 Jahre Verein der Berliner Künstlerinnen, Berlinischen Galerie, Berlin 1992,
ss. 234-235

Frontiera 92. Forum Junge Kunst in Europa / Arte Giovane in Europa, Bozen 1992, pp. 119, 189.

Rauma Triennale Balticum 1992, [April 10 – May 8, 1992], Rauma 1992, pp. 76-79, 113.

Art Contemporain Polonaise E.S.P.A.C.E.. [ November 17 – December 12, 1992],Toulon 1992.

Ksiazki i strony. Polska ksiazka awangardowa i artystyczna 1919-1991, Centre of Contemporary Art Ujazdowski Castle, [November – December, 1992], Warsaw 1992, p. 95.

Krieg. Österreichische Triennale zum Fotografie 1993, Neue Galerie am Landesmuseum Joanneum und Forum Stadtpark, Graz 1993, pp. 97-99.

Another Continent, [January 28 - March 22, 1994], Tokyo 1994, pp. 85-99, 153.

Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa, Band 1, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, [May 27 – October 16, 1994], Bonn 1994, p. 467.

Natur im Stilleben «natura morta»? Fünf Positionen zum Fotostilleben, [September 10-October 30, 1994], Museum Bochum, Bochum 1994.

lkonopress. Przeglad sztuki polskiej, Szczecin ‘94. Exhibition of artists recommended by art magazines in Poland, Zamek Ksiazat Pomorskich, [June-August, 1994], Szczecin 1994, pp. 65-67.

Der Riss im Raum. Positionen der Kunst seit 1945 in Deutschland, Polen, der Slowakei und Tschechien, Martin-Gropius-Bau, [November 26, 1994 – February 5, 1995], Berlin 1994, pp. 260-263, 317.

Rysa w przestrzeni. Sztuka po 1945 roku w Czechach, Niemczech, Polsce i Slowacji, acheta National Gallery, [March 13 – April 23, 1995], Warsaw 1995, pp. 120-121.

Beyond Belief. Contemporary Art from East Central Europe, Museum of Contemporary Art,
[September 2 - November 26, 1995], Chicago 1995, pp. 34, 41-43.

Kwangju Biennale 1995. Beyond the Borders, Kwangju Biennale Foundation, [September 20 - November 20, 1995], Kwangju 1995, pp. 246-249.

Fotofeis ‘95. International Festival of Photography in Scotland, [October 5 - November 5, 1995], Edinburgh 1995,
pp. 154-155.

Obsessions. From Wunderkammer to Cyberspace. Foto Biennale Enschede, Foto Biennale Enschede,
[November 3-26, 1995], Enschede 1995, pp. 52-53.

Pushing Image Paradigms,Portland Institute for Contemporary Art, [June 27 – August 24, 1996], Portland 1996,
pp. 44-47.

Horizons. 14 Contemporary Polish Artists, Sonje Museum of Contemporary Art, Kyongju,
[August 10 - October 6, 1996), Kwangju Museum of Contemporary Art [October 16 – November 25, 1996], Chosun Ilbo Gallery [February 15 – March 2, 1997], pp. 107-115, 161-165.

New Histories, The Institute of Contemporary Art, Boston 1996; text: Ewa Lajer-Burcharth, Old Histories: Zofia Kulik’s ironic recollections, Ss. 120-136

100 x Photo. 100 Photographs from the Collection of the Stedelijk Museum Amsterdam, Stedelijk Museum, Amsterdam 1996; text: Geurt Imanse, Zofia Kulik, pp. 83-84.

Woman about Woman. "Bielska" BWA Gallery, Bielsko-Biała 1996; text: Adam Sobota, Sztuka Zofii Kulik (The Art of Zofia Kulik), pp. 32-35.

Lengyelorsźag Művészet 1945-1996, Műcsarnok Szépmüvészeti Múzeum, Kortárs Művészeti Múzeum Ludwig Múzeum, [January 20 – February 23, 1997], Budapest 1997, pp. 66-67.

La Biennale di Venezia. XLVII Esposizione Internazionale d’Arte, [June, 12 - November 9, 1997], Venice 1997,
pp. 478-481.

Body and Photography, The First Biannual Festival Praha-Kolin, Pražskỳ Dum fotografie, Prague 1998; text: Martina Pachmanová, Zofia Kulik. The Body as a Tool of Power, pp. 42-49

Body and the East. From the 1960s to the Present, Moderna Galerija Ljubljana, [July 7 – September 27, 1998], Ljubljana 1998.

The Promise of Photography, The DG Bank Collection (catalogue), [pub. Prestel], Frankfurt am Main 1998,
pp. 210-211, 373; text: Hans Günter Golinski, Zofia Kulik, p. 210.

Poliptyk. VII Biennale «Wobec wartości», Archdiocese Museum, Gallery of Contemporary Art BWA, Katowice 1998; text: Ewa Mikina, A Man on a Carpet, pp. 51-55.

2000+ The Art of Eastern Europe,Innsbruck, Curators: Zdenka Badovinac / Peter Weibel

Semiotic Landscape, Charim Galerie, Galerie Ernst Higler; Wien; Krolikarnia Museum, Warsaw 2002.

Mare Balticum, The National Museum, [September 19, 2002 – January 26, 2003], Kopenhagen 2003, p. 189.

E.U. Positive, Kunst aus dem Neuen Europa, Akademie der Künste, Berlin 2004

Warsaw – Moscow / Moscow - Warsaw 1900-2000, Zacheta National Gallery, Warsaw, 2005

Egocentric, Immoral, Outmoded. Contemporary Images of Artists / Egocentryczne, niemoralne, przestarzale. Wspolczesne wizerunki artystow, Zacheta National Gallery, [September 20 – October 30, 2005], Warsaw, 2005,
pp. 58-61.

Deep Light, Kunsthalle Wilhelmshaven, 2006, pp. 8-19.

Autopoesis, Slovak National Gallery, Bratislava 2006, pp. 29, 130-131.

In Poland, that is where?, Centre of Contemporary Art Ujazdowski Castle, Warsaw 2006; text: Bozena Czubak,
pp. 49,63,64,106,107.

Interrupted Histories, Museum of Modern Art, Ljubljana 2006

1, 2, 3… Avant-Gardes. Film / Art between Experiment and Archive, Centre of Contemporary Art Ujazdowski Castle, Sternberg Press, 2007.

Polish Photography of the 20th century, Vilnius; Brussels; Warsaw 2007 (org. ZPAF).


The artist's statements, interviews


Jacek Rydecki, Zbigniew Libera, Jerzy Truszkowski, Teksty 1982-1989, vol. 2, „po” Gallery, Zielona Gora 1989,
pp. 49-50.

Sztuka krytyki, „Obieg” 1990, no. 12(20), p. 14.

KwieKulik, „Exit” 1991, no. 5, pp. 149-159.

Badz tylko poslusznym psychofizycznym instrumentem..., interview by Ryszard Ziarkiewicz, "Magazyn Sztuki" 1993, no. 1, pp. 12-21.

Stefan Kurzawinski, Rozmowa z Zofia Kulik, "Gazeta Lomiankowska", 12/1993, pp. 8-9.

Zofia Kulik, ed. by Barbel Fink, „Camera Austria International” [Graz] 1994, No. 47/48

<Natchnienie jest mi obce, interview by Piotr Sarzynski, Polityka, 1997, no. 6.

Self-commentary, "Magazyn Sztuki" 1997, no. 15-16, p. 224.

Niech archeolog nie odklada lopaty, interview by Adam Szymczyk i Andrzej Przywara, "Material" 1998, no. 1, pp. 4-7.

Zofia Kulik: wladza tez ma cialo, Internet interview by Izabela Kowalczyk, in: "Niebezpieczne zwiazki sztuki z cialem", "Arsenal" Municipal Gallery, Poznan 2002

The Rebellion of a Neo-avant-garde Artist, interview by Joanna Turowicz, "Opcje", no. 3 (56), September 2004,
pp. 54-61.


Books


Jerzy Truszkowski, Sztuka krytyczna w Polsce, "Arsenal" Municipal Gallery, Poznan 1999


Articles, presentations


Cyndia Carr, On Edge. Poles Apart, „The Village Voice” [New York], March 31, 1987

Linda Noyak, The „Dzialania” of Zofia Kulik and Przemyslaw Kwiek, „High Performance” [Los Angeles] 1987, Vol. 10, No. 2, pp. 54-58.

Marek Bartelik, Nowojorska kronika, „Nowy Dziennik” [New York], June 9-10, 1990

Kim Levin, Conceptual Carpet, „The Village Voice” [New York], June 12, 1990

Aletti, Photo, Zofia Kulik, „The Village Voice” [New York], June 12, 1990

Malgorzata Biernacka, Witraz z Palacem Kultury, „Gazeta Wyborcza”, October 16, 1990, no. 241/408.

Idiom of Soc-Ages - Zofia Kulik, “Atelier” [Tokyo], March 1991, p. 39.

Przemysław Kwiek, ***, „ Obieg” 1991, nr 4(24), p. 21.

Jerzy Truszkowski, Prosiak wszystkich pogodzi czyli walesajaca sie spiewka, „Obieg” 1991/92,
no. 11/12(31/33), pp. 20-25.

Catherine Maclay, Pattern with Purpose, „Mercury News” [San Jose] 1992 (exhibition „Dark Decor”].

Zofia Kulik, „Whitewalls. A Journal of Language and Art” 1993, no.32

Renata Rogozinska, Bron symboliczna, „Gazeta Malarzy i Poetow” 1994, no. 1, pp. 8-9.

Janusz Marciniak, Sztuka jest bronia bezbronnych, „Znak”, February 1994, pp. 148-149.

Zofia Kulik, „Creative Camera” [London], June/July 1994, pp. 38-41.

Janusz Marciniak, Zofia Kulik. Hope and Consolation, “Art and Business”, 1994, nr 5/6 s. 34-39 [reprint in the book Paradoks artystow, Poznan 1994]

Aletti, Photo Short List, “Village Voice” [New York], November 14, 1995

Marek Bartelik, Zofia Kulik. Lombard-Freid Fine Arts, „Artforum”, March 1996

Jerzy Truszkowski, The Structure of Kulik, „Magazyn Sztuki” no. 10(2), pp. 69-133.

Jerzy Truszkowski, Zofia Kulik. Multiple Exposure, Black and White Photographs, „Exit” 1996, no. 3(27),
pp. 1248-1258.

Adam Sobota, Poza socwieczem, "Odra”, no. 12, pp. 113-116.

Piotr Piotrowski, Between Siberia and Cyberia. On the Art of Zofia Kulik and on Museums, "From Siberia to Cyberia", cat., National Museum, Poznan 1999

Andrzej Turowski, A Non-Linear Map of Logical Feelings, "From Siberia to Cyberia", cat., National Museum, Poznan 1999

Sarah Wilson, Discovering the Psyche: Zofia Kulik, "From Siberia to Cyberia", cat., National Museum, Poznan 1999

Ewa Hornowska, To Individualize Reality. On an Aspect of Zofia Kulik.s Art, "From Siberia to Cyberia", cat., National Museum, Poznan 1999

Sarah G. Wilson, Zofia Kulik: From Warsaw to Cyberia, Centropa vol.1, no.3, September 2001

Izabela Kowalczyk, Zofia Kulik: dekonstrukcja systemow wladzy, in: „Cialo i wladza, polska sztuka krytyczna lat 90.”, Pub. Sic!, Warszawa 2002, pp. 115-146.

Adam Sobota, Zofia Kulik, Beyond Soc-ages, IMAGO, Summer 2003, Fotofo Bratislava, cover and pp. 36-43.

Dorota Jarecka, Zofia Kulik. Musialam miec cialo, „Wysokie Obcasy”, section in: Gazeta Wyborcza, no. 21 (269),
May 29, 2004.

Zofia Kulik. Swieta przez caly rok, "Dobre Wnetrze" no. 12 (84) December 2004, pp. 108-112 [interview by Dorota Szaroszyk and Katarzyna Ferworn-Horawa, texts: Anda Rottenberg, Andrzej Starmach].

Adam Sobota, Archiwum Zofii Kulik, "Konceptualnosc fotografii", Bielska BWA Gallery, Bielsko-Biala, 2004,
pp. 102-111.

Eleonora Jedlińska, Zofia Kulik: „W 1984 zaczelam mowic”, "Polska sztuka wspolczesna w amerykanskiej krytyce artystycznej w latach 1984-2002", Lodz 2005, pp. 302-341.

Lukasz Ronduda, Soc-Art, An Attempt At Revitalizing Avant-Garde Strategies In Polish Art of the 1970s, "Piktogram", January 2005, pp. 108-131.

Lukasz Ronduda, Intermedialny found footage film: Dzialania na jednominutowkach innych KwieKulik, "Strategie subwersywne w sztukach medialnych", RABIT, Krakow 2006

Michal Wolinski, Lukasz Ronduda, Games, Visual Conversations, Activities and Interactions, „Piktogram” 05/06 2007, pp. 14-117.

Maud Jacquin, Motherhood across the Iron Curtain: on Zofia Kulik and Mary Kelly, manuscript 2007

Notes in the Margin of the Theory and Practice of the Archive, an authorised transcript of the discussion that took place in connection with Zofia Kulik’s exhibition “Made in USSR, GDR, Czechoslovakia and Poland” at Le Guern Gallery in Warsaw (November 29, 2006). Obieg, 2007, no 1-2 (75-76), pp. 10-37.



Major references, reviews


Ryszard Kluszczynski, Trzydziesci jeden obrazkow z historii awangardy polskiej (film i video), Lodzki Dom Kultury, Lodz 1989, p. 11

Ute Grundmann, Kunst mit der Axt, „Neue Rhein Zeitung” Samstag, September 15, 1990 [exhibition "Bakunin in Dresden"]

Ryszard Ziarkiewicz, Zofia Kulik, Przemyslaw Kwiek - razem i osobno, „Obieg” 1990, no. 10(18), p. 14.

Zofia Kulik, z cyklu „Idiomy socwiecza”, „Obieg” 1990, no. 10(18)

Judith Fell, Polens provokante Kunst, „Hamburger Morgenpost”, November 23,1990 [exhibition „Bakunin in Dresden”].

Karm Schulze, Aussen rot, innen Protest. Aktuelle polnische Kunst in K3, „Scene - Hamburg”, November 1990, no 11 [exhibition „Bakunin in Dresden].

Jerzy Truszkowski, Odjazd polski [exhibition "Polski szyk"], "Obieg" 1991, no. 4(24), pp. 26-27.

Jerzy Truszkowski, O „Bakuninie w Dreznie” "Obieg" 1991, no. 4(24), pp. 18-19.

Hank Burchard, Poland’s Women Artist-Warriors, The Washington Post December 27, 1991 [exhibition „Voices of Freedom. Polish Women Artists and the Avant-Garde”].

Jerzy Truszkowski, Rosa Libera Persevat,"Mystical Perseveration and A Rose", State Gallery of Art,
[29.VIII – 25.X, 1992], Sopot 1992, pp. 20-31 [eng version].

G.K. [Grazyna Krzechowicz], Exhibition of Zofia Kulik’s Collages at the Vienna’s Gallery, Art and Business, 1993,
no. 5/6, p. 10.

Ewa Lajer-Burcharth, Warsaw Diary, Art in America, February 1994, pp. 85-93.

Ueno Toshiya, Towards Another Continental Drift, Deja-vu, Spring 1994, No. 16

Koh Chik-mann, Who’s Who of Polish Contemporary Art on Show, The Korea Times, August 1996 [exhibition „Horizons. 14 Contemporary Polish Artists”].

Eleanor Heartney, Into the International Arena, Art in America, April 1996 [exhibition "Kwangju Biennale"]

Piotr Piotrowski, Beyond the Old and New Belief, Magazyn Sztuki, 1996, no.10(2), pp. 144-173.

Miles Unger, New Histories. The Institute of Contemporary Art, Boston, Flash Art, January-February 1997, Vol. XXX,
no. 192 [exhibition „New Histories”].

[Untitled], Kunstforum, September - November 1997, pp. 450-451.

Art in Poland 1945-1996, Zacheta National Gallery, Warsaw 1997, pp. 19, 228-229, il. pp. 64, 65, 256.

Izabela Kowalczyk, Watki feministyczne w sztuce polskiej, Artium Quaestiones, 1997, t. VIII, pp. 135-152.

Izabela Kowalczyk, O potrzebie nadinterpretacji, in: Interpretacja jako konstrukcja, ed. J. Topolski, Adam Mickiewicz University, Faculty of History, Poznan 1998, pp. 83-88.

Agata Jakubowska, Sztuka feministyczna wobec postmodernistycznych regul interpretacji, in: Interpretacja jako konstrukcja, ed. J. Topolski, Adam Mickiewicz University, Faculty of History, Poznan 1998, pp. 96-97.

Piotr Piotrowski, Znaczenia modernizmu. W strone historii sztuki polskiej po 1945 roku, [pub. Rebis], Poznan 1999, pp. 184-187, 190-191, 193.

David Hopkins, After Modern Art 1945-2000, Oxford History of Art, Oxford University Press 2000, pp. 233, 236-237.

Dorota Monkiewicz, Pejzaz semiotyczny, Exit, no. 4 (52) 2002, pp. 2840-2843.

Dorota Jarecka, Wieksze od Matejki, Gazeta Wyborcza, 2004

Krzysztof Wojciechowski, Zofia Kulik: autoportrety i ogrod, Fototapeta, 2004

Dorota Jarecka, Mezczyzna i kwiat, Gazeta Wyborcza, May 5, 2004, p. 17.

Monika Małkowska, Kolaz dziejow, Rzeczpospolita, December 12, 2004, no. 36 (6719).

Tomasz Fudala, Ogrody Zofii Kulik, czyli Libera w krolestwie Flory, Odra, no. 11 (515) XLIV/2004, pp. 63-65.

Anda Rottenberg, Sztuka w Polsce 1945-2005, 2005

Eckhart Gillen, Matthias Flügge, Der Europa Almanach, Berlin 2005

Stach Szablowski, Widz w roli sledczego, Kultura section in: Dziennik, 2006.

Monika Malkowska, Alternatywa artystyczna z czasow PRL, Rzeczpospolita, October 25, 2006.

Maciej Pieczynski, Ambasadorowie sztuki, Art & Business, November 2006 (193), p. 68.

Europa. Tygodnik idei, appendix to: Dziennik, no. 1(144) January 6, 2007.



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